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On View at Chrysler
Multiple Modernisms
An inspiring look at the history of modern and contemporary art.
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Play and create
Wonder Studio
A new family-friendly interactive space that encourages hands on learning.
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Sliding
Testing 123
Testing the lazyloader
The work of the rural town photographer Mike Disfarmer provides a starting point for us to ponder, “What makes a portrait?”
Unlike documentary photography, which captures fleeting moments, people, and places, portraiture records a deliberate meeting between a photographer and their subject. The individual’s choice of demeanor, dress, and facial expression reveals much about the sitter and the person behind the camera. This exhibition, featuring six Disfarmer prints newly acquired by the Chrysler Museum, invites a close scrutiny of the personal dynamics within this genre of photography.
Disfarmer operated his portrait studio in downtown Heber Springs, Arkansas, from the 1930s to 1950s, an era of historical significance framed by the Great Depression and World War II. In Facing Ourselves, such artists as Diane Arbus, Richard Avedon, Irving Penn, and James Van Der Zee—some of the best known names in American photography—are featured in dialogue with Disfarmer and one another. The subjects range from well-recognized figures like James Baldwin and Albert Einstein to intimate portraits of the artists’ families and friends. Whether the faces are familiar or unknown, we can see ourselves in the subject and, perhaps, they can tell us something about themselves.