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On View
Farm to Table: Art, Food, and Identity in the Age of Impressionism
Featuring more than fifty works showcasing leading Impressionist artists, this exhibition explores France’s relationship with food in the decades following the Franco-Prussian War (1870–71).
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On View
Peter Bremers: Ice to Water
New work by artist, Peter Bremers, influenced by his journeys to Iceland and his meditations on the glaciers that are vanishing because of rapid changes in our global climate—melting ice, transformed into water.
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On View
New Frames of Reference: Early French Photographers at Home and Abroad
France led the early decades of photography’s technological and aesthetic development. This exhibition explores how French photographers adapted the conventions of portraiture, still life, landscape, and other established artistic genres to the new medium.
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On View
Framing the Expanded Field: Robert Smithson’s Spiral Jetty
Robert Smithson completed Spiral Jetty in 1970, a pathway of rock and earth forming a spiral in the basin of Utah’s Great Salt Lake. Smithson documented the Land Art site in a 35-minute film, which now brings the experience of Spiral Jetty to the Chrysler Museum.
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Joey Kirkpatrick and Flora Mace are intimately connected to the natural world and deeply engaged with the world they study.
On their farm in Washington State’s Olympic Peninsula, they find inspiration that translates into realistic drawings of tree roots and a countless array of wildflowers that they dissect, reassemble, and preserve in a forever state with resin and glass.
As partners in life and artistic endeavors, Kirkpatrick and Mace began their collaboration more than three decades ago when they met at Pilchuck Glass School, near Seattle. Their humanistic work encapsulates their personal relationship to nature through explorations with glass, wood, metal, and drawings.
